[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1690543142690{margin-top: 100px !important;}” z_index=””][vc_column][vc_column_text]<\/p>\n
[\/vc_column_text][vc_column_text css=”.vc_custom_1761214291409{margin-top: 40px !important;margin-bottom: 100px !important;padding-left: 0px !important;}”]<\/p>\n
2024<\/b><\/p>\n
La mostra \u201cGuglielmo Marconi. Vedere l\u2019invisibile\u201d per VIVE a Roma selezionato nell\u2019ADI Design Index Compasso d\u2019Oro.<\/p>\n
2024<\/b><\/p>\n
La mostra \u201cCaravaggio. Il Narciso di Palazzo Barberini\u201d a Merate selezionato nell\u2019ADI Design Index Compasso d\u2019Oro.<\/p>\n
2022<\/b><\/p>\n
Il progetto identit\u00e0 visiva per IZS selezionato nell\u2019ADI Design Index Compasso d\u2019Oro.<\/p>\n
2020<\/b><\/p>\n
Il progetto identit\u00e0 visiva per IZS vincitore Premio Eccellenze del Design nel Lazio 2020.<\/p>\n
2018<\/b><\/p>\n
Il progetto identit\u00e0 visiva per l\u2019Universit\u00e0 L. Vanvitelli selezionato nell\u2019ADI Design Index Compasso d\u2019Oro.<\/p>\n
2018<\/b><\/p>\n
Il progetto dentit\u00e0 visiva per l\u2019Universit\u00e0 L. Vanvitelli vincitore Premio Eccellenze del Design nel Lazio 2018.<\/p>\n
2012<\/b><\/p>\n
Progetto \u201cIl senso della materia\u201d selezionato nell\u2019ADI Design Index.<\/p>\n
2010<\/b><\/p>\n
Mostra personale dei suoi lavori di visual design \u201cVettori\u201d, Casa dell\u2019Architettura di Roma.<\/p>\n
1992<\/b><\/p>\n
Premio internazionale \u201cPremio del jurado al ordenamiento territorial\u201d, 2a Biennale argentina de Urbanismo.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_column_text]<\/p>\n
[\/vc_column_text][vc_column_text css=”.vc_custom_1761214403876{margin-top: 40px !important;margin-bottom: 100px !important;padding-right: 0px !important;padding-left: 0px !important;}”]<\/p>\n
2024<\/b><\/span><\/p>\n Exhibition \u201cGuglielmo Marconi. Vedere l\u2019invisibile\u201d for VIVE in Rome selected for ADI Design Index Compasso d\u2019Oro.<\/span><\/p>\n 2024<\/b><\/span><\/p>\n Exhibition \u201cCaravaggio. Il Narciso di Palazzo Barberini\u201d in Merate selected for ADI Design Index Compasso d\u2019Oro.<\/span><\/p>\n 2022<\/b><\/span><\/p>\n The Visual Identity of IZS selected for ADI Design Index Compasso d\u2019Oro.<\/span><\/p>\n 2020<\/b><\/span><\/p>\n Visual Identity of IZS winner of the Design Excellence Award in Lazio 2020.<\/span><\/p>\n 2018<\/b><\/span><\/p>\n Visual Identity of L. Vanvitelli University selected in the ADI Design Index Compasso d\u2019Oro.<\/span><\/p>\n 2018<\/b><\/span><\/p>\n Visual Identity of L. Vanvitelli University winner of the Excellence Award of Design in Lazio 2018.<\/span><\/p>\n 2012<\/b><\/span><\/p>\n The Project \u201cIl senso della materia\u201d selected for ADI Design Index<\/span><\/p>\n 2010<\/b><\/span><\/p>\n The personal exhibition of his visual design works \u201cVettori\u201d, Casa dell\u2019Architettura in Rome.<\/span><\/p>\n 1992<\/b><\/span><\/p>\n International Award \u201cPremio of the jurado to the territorial order\u201d, 2nd Argentine Biennial of Urbanism.<\/span><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1690543142690{margin-top: 100px…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":51,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-3170","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/pages\/3170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/comments?post=3170"}],"version-history":[{"count":4,"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/pages\/3170\/revisions"}],"predecessor-version":[{"id":3183,"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/pages\/3170\/revisions\/3183"}],"up":[{"embeddable":true,"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/pages\/51"}],"wp:attachment":[{"href":"https:\/\/fourinthemorning.it\/index.php\/wp-json\/wp\/v2\/media?parent=3170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}